Serpent Blog

Come and See, a gift from Sean Penn 
Last night, without warning or intention, I was transformed by a film. I mean utterly changed. I am still, 12 hours later, stunned. And it’s been so long since this has happened that I have forgotten that film is the most powerful medium of expression thus far invented by man. My body is affected. My mind is reeling with images, emotions. How do I even process such a thing? I write about it.

I was invited by a friend, film producer and musician Mitch Stein, to attend a screening at the Rafael Film Center of a Russian movie called Come and See. Last night the Rafael kicked off its Films of My Life series with Sean Penn, who presented the movie and led a discussion at the end. I did not attend this event to see this film. I had never heard of it. I came to see Sean Penn, and to hopefully shove a small envelope into his hand that contained a DVD with a video of my book trailer and a personal pitch in which I speak directly to him, asking him to consider directing the screen adaptation of my novel, Serpent Box.

Selfish motives do not go unpunished (or unrewarded). For what transpired on that movie screen last night was, unequivocally, the most intense cinematic experience of my life; and I studied film and film theory in college. I have seen Kenneth Anger, and Luis Bunuel, and Maya Duren, David Lynch, Eisenstein, Fellini – I have seen some very powerful films. But Come and See, my God friends, this movie pulled my guts out from my rear end and stuffed them back in through my mouth.

Come and See is the story of a young Belorussian boy, maybe 14 years old, who idealistically leaves his rural village to fight the Nazis during WW II. But Red Badge of Courage this is not. Come and See is a stark visage of what war, and what evil, truly is, and it presents this truth, the transformative power that war and hatred has over an individual, as well as a population, in the most striking way I have ever witnessed on film.

Come and See is a sensory overload. Light, darkness, shadow, muted color. Sound, music, ambient noises, ear-splitting tones, dull islands of pure silence. You see and feel this film more viscerally than a great novel. In fact, in the hands of a filmmaker Elem Klimov, a film is more powerful and more present than a novel. The filmmakers here show an absolute mastery over every cinematic tool at their disposal. The acting (especially this little boy) is sublime. The editing is brilliant. The story itself, timeless, horrible, necessary. There is one riveting and unforgettable scene after another. It is a tour de force of sight, sound, smell, tactile sensations, tastes – ALL your senses are engaged. Come and See is a bleak hero’s quest told through the eyes of a child who literally ages before your eyes. I will never forget this kid’s face. I will never forget this film. As a complete film – story, acting, visuals, technique and emotional impact -it is the greatest movie I have ever seen.

Sean Penn gave this gift to me and I am now passing it on to you. I urge all film lovers to rent Come and See. But be warned. It is VERY hard to watch. Several people in the crowded San Rafael theatre could not. They simply got up and left. What a shame. To turn your head from this movie is to turn your head from truth. While the film is not particularly gory, it is violent and gritty and dirty and permeated with a pathos that bludgeons. There are scenes of shocking cruelty, but if you’ve seen Schindler’s List or Saving Private Ryan, you’ve seen worse and you owe yourself this. Bear in mind that sound is very important in this movie, so turn the volume up and persevere, I urge you, persevere through this movie. It will leave you breathless.



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